thatgirl4815:

KinnPorsche Analysis Threads

I thought I’d compile a list of my KP meta posts for easy access. I’ll try to divide them out by topic/episode and update them as I make more, if anyone is interested. (Just a note, but I didn’t start posting metas until Ep5, though many of my metas cover recurring general themes across the series. The episode labels are simply a way of denoting at what point the meta was made during the series’ airing. The bottom of the list is always the most recent. EDIT: Geez, this has gotten long…And my VP obsession has been fully exposed by the end, lol. 😅)

Episode 5

The Full Picture - the importance of perspective & facial expression

Intentionally Blurred Lines: Analysis - Porsche’s trauma, unwinnable wars, & sex vs. intimacy

Everything They Aren’t Saying - final scene discourse, Kinn’s psychology, & the importance of subtext

A kiss? - what agency means for Kinn & Porsche & body language in a scene

Ep4 vs. Ep5 Aesthetics - differing cinematography of sex scene & flashbacks in eps5&6; picking apart the aesthetics & psychology

Recognizing the Pressure - Porsche’s naiveté & relating to Kinn’s perspective

Hair Styling - how Porsche’s hair changes in Ep5 (and beyond) reveal his state of mind

Definitely not love (yet) - why Ep5 is too early to call it love between Kinn & Porsche; general “love” discourse

Smoking & Drinking Habits - comparing Porsche’s smoking & Kinn’s drinking habits

Pool Chess - how chess pieces could reflect internal states 

Certain Dialogue - picking apart Ep5 dialogue

Episode 6

Rejecting Feelings & Acting on Them - how actions reflect Kinn’s feelings for Porsche

A Lovely Forest Swim (meta) - analysis of Kinn & Porsche’s waterfall kiss scene

*A Forest Fantasy 1: Mega Meta – Catharsis & Progression (Ep6) - analysis of hand severance scene/Kinn’s second apology

Nature & Setting in KinnPorsche - how nature & industrialization conflict; importance of setting & its subtext

Physical to Emotional: Handcuffs - the symbolism of handcuffs in Ep6 and its connection to KP’s emotional relationship

*A Forest Fantasy 2: Mega Meta – Goodbyes (Ep6) - analysis of goodbye scene; double sacrifices

About the title… - why the title of the series is reasonably fitting

Episode 7

Dominance - Kinn’s dominance and submission in the last scene of Ep7

Cinematography & Color – The New *Scene™* - the use of cinematography and color to create tension and set the mood in the final scene of Ep7

Gold/Sun Color Theory (Ask) - the symbolism of gold and green in the final scene of Ep7 and why KP’s respective colors were excluded

Vegas’ Failed Smooch - how Porsche responds to Vegas’ advances and what these reactions mean

Transitions & Tension - how mood changes occur seamlessly within scenes

Physical & Emotional Trust - the development of KP’s physical trust and how it intersects with emotional trust

Red - analysis of the color red and its connection to both Kinn and Vegas

Episode 8

Brightness in Ep8 - the brightness/aesthetics/coloring of Ep8 to establish mood 

Admissions & Manipulation - Tawan’s manipulation & why admitting their feelings directly will be a big step forward for KP

Portraying Reluctance - the portrayal of Porsche’s hesitance to hold Kinn’s hand in public and how it contrasts other media representations

Trust, Tawan, & Korn - analysis of dialogue between KP in Ep8 & the influence of both Tawan and Korn on Kinn’s trust issues

Arcs & Ep9 - semi-meta comparing arcs in eps 1-8 and the progression of external conflict 

Episode 9

Warm Milk (meta) - the symbolism of warm milk in Ep9 and the tension between Porsche and Tawan

Knights, Kings, & Queens♟ - the chess metaphor and how Kim functions as a knight

Tankhun & Chess - how Tankhun could function in the chess metaphor

Episode 10

Tawan vs. Vegas - how Tawan’s portrayal in Ep9 and 10 heightens Vegas’s villainy

Torture in Ep10 - analysis of cinematography, expression, lighting, and mood in VegasPete’s first torture scene

Pete as a masochist - combatting notions that Pete is as twisted as Vegas

Craving Dominance (Vegas) - analysis of Vegas’s need to dominate his victims and Ep11 preview speculation

Pink: Color Analysis - the color pink in the Ep10 torture scene, other character colors, and comparisons of dynamics between KP and VP 

Episode 11

Breaking the Cycle - analysis of the cycle of violence and trauma between Kan and Vegas and the breaking of this cycle by Pete

**The Pete Effect - analysis of Pete’s effect on Vegas and deep dive into Vegas’s psychological state in Ep11

Colors in Ep11 🌈 - use of color and how the combinations could hint at different phases of VP’s relationship

VegasTawan Vs. VegasPete - contrast between Vegas’s relationship with Tawan and Pete in specific scenes from Ep10 and 11

Poison - analysis of Pete’s refusal to take the pill Vegas offers him in Ep11

KP & VP Parallels - similarities and differences in KP & VP’s relationship development to Ep11

“No legacy is so rich as honesty” - analysis of Pete’s tattoo, the original source, and how it applies to Vegas’s growth

Micro Expressions (Vegas) - breakdown of three GIFs from Ep11 and how Vegas’s micro expressions could present a crack in his facade

“I can change him” - dichotomous thinking in the fandom; the light and dark inside both K&P and V&P

Episode 12

Captivation - the ways in which Vegas and Pete captivate each other and how that led to their love scene

Boundaries - exploration of the boundaries in all three relationships

“You’re a psycho.” - manipulation, control, and power dynamics in VP’s love scene

KP First Time Vs. VP First Time - how music and intensity is different between KP’s first love scene and VP’s first love scene

Earning the moment - how prior interactions in Ep11 and 12 led to the VP love scene

***Cinematography & Mood (½) - analysis of camera angles and mood setting in VP’s Ep12 love scene

***Color & Expression (2/2) - continuation of previous post on VP love scene; symbolism of colors and character expressions

Use of “Khun” (Ask) - usage of the word “Khun” and its authoritative significance for both Kinn and Vegas; importance of Pete omitting the title from Vegas’s name

Sacrifice & Intimacy - the Hedgehog Dilemma and all the ways it has connected VP both physically and emotionally

Korn as a *Player* (chess meta ♟) - analysis of Korn’s role in the chess metaphor and his strategy for manipulating Porsche

Pete’s Deprivation - what Pete’s behavior in Ep12 suggests about his emotional state

“Trauma does not excuse villainy.” - the importance of holding Vegas accountable for his actions; criticism of “love-as-a-cure” trope; how Pete can help Vegas but not fundamentally change him

**The Vegas Effect - analysis of Pete’s psychological state and his lack of self-worth, as demonstrated by self-sacrificial behavior

“Vegas should be terrified.” - why Vegas should be afraid of Pete

First Kisses - thematic similarities and differences between each couple’s first kiss scene

Setting, setting, setting - contrasting KP’s Ep6 setting and VP’s Ep11 and 12 setting

Episode 13

About coping mechanisms… - VP’s similarities in processing their trauma with contrasting outward personas

Pool Scene Shadow - the shadow of distrust looming over Kinn and Porsche’s relationship and the infamous Pool Scene™

“Don’t you ever think that just because we had sex you can say anything.” - how VP view their relationship after the events of Ep12; Pete’s escape scene analysis

Clothing, Color, & Pattern - analysis of Pete’s outfit at the bar, why he wore it, and what it could tell us about his mental state

Hands - the symbolism of hands in VP’s relationship and their focus in Ep13; hands as weapons and hands as harbingers of affection

Vegas’s English (Ask) - what Vegas speaking English means; manipulation versus truth

Pete’s Escape (Dialogue) - dialogue during Pete’s escape scene; focus on individual lines and their impact/hidden meanings

Red & Blue - the symbolism of colors in VP’s scenes throughout Ep13

Touching - how Vegas has been conditioned to use touch to exert his dominance; the transition from brutal touches to tender touches

Ep13 Opening (Ask) - body language and dialogue in VP’s opening scene

Submission - significance of Vegas and Pete telling the other to kill them in Ep13

“So why didn’t I say no?” (Ask) - Pete dialogue analysis

Episode 14

Porsche and the minor family - discussion of Porsche’s position in the minor family and what it could mean for future conflicts

Finale Thoughts - summation of thoughts on Ep14 and the series as a whole (relationships, specifically)

REPRISE

VegasTawan vs. VegasPete - thoughts on what Vegas’s relationship with both Tawan and Pete illustrates about his growth as a character and his weaknesses

The Pete Effect

thatgirl4815:

~ A Deep Dive into Vegas’s Mind ~

When it comes to Vegas and Pete in Ep11, I think they contained a pretty massive story arc within the 50 minutes. And while I do think this story could’ve been spread out over the course of a few episodes, I do think they managed to offer a view of Vegas that humanizes him but does not necessarily erase or lessen the severity of his crimes. If anything, it puts the cycle of generational violence/trauma in perspective. If the purpose of this episode is to show why Vegas desires hurting people and where this destructiveness comes from, then I think they’ve accomplished that.

**For my take on Pete’s psychological state, see this post: The Vegas Effect

Recycled History

We don’t need to see Vegas’s history of abuse play out onscreen to get the full context of what he’s going through. From a storytelling perspective, it’s pretty standard: abusive father projects own self-hatred onto child. It’s a never-ending cycle of needing dominance to fill the void of never being good enough. We don’t know much about Korn and Kan’s father, but what little we do know indicates that Kan’s relationship with his father is similar to Vegas’s relationship with Kan. At the same time, this line from Korn in Ep10 is interesting:

image

We haven’t seen Kan directly “taking advantage” of anyone, mostly due to a lack of screen time, but the act of abusing Vegas is ironically upholding this very notion. This line is also notable in that it seems to apply to Vegas in particular, and Kan is reinforcing it by constantly reminding Vegas that he will never be good enough. Korn, master manipulator, likely knows that due to their rivalry, Kan suffers from the same self-hatred that Vegas suffers from. He exploits that with this line, and I have no doubt that Kan was reminded of this very conversation when confronting Vegas.

image

In this shot, Vegas is experiencing a build up of all these negative emotions: bitter resentment for his father, hate for himself, shame, guilt, rage. Kan tells him he’s failed not only as the heir of the minor family, but as a son—that’s the key point. It’s never about the business, it’s about Vegas as a person. Kan will always find flaws in Vegas because that’s easier than facing his own.

Vegas’s Psyche

What does Vegas do? He takes the gun from Kan, he points it at Pete as if to kill him, but he doesn’t follow through. Why is that? Because, as will become even more appparent later, Pete is a form of rebellion for Vegas. Keeping him—tormenting him—defies his father’s orders, but it also offers Vegas an opportunity to assuage his own feelings of inferiority. Pete is a prisoner, so Vegas’s dominance over him is a certainty. Vegas craves the chance to rip Pete apart piece by piece the same way his father has always ripped him apart (not to mention it also comes with minimal risk).

Keep reading

artisdrama:

“right now, i feel useless. no, i’ve always been useless. i never exist. i have no feelings. i don’t freaking have anything left within me. i can’t take myself anymore, vegas.”

we all kept saying that vegas and pete are parallels to each other to what the same kind of abuse can lead to. it’s almost tiring how many times we analyzed how vegas weaponized his trauma by turning into an abuser in self defense, but we were a little blinded by pete’s smile because we genuinely believed pete was always being completely open about everything. his tattoo says it all, doesn’t it? no legacy is so rich as honesty. didn’t he share with vegas what his dad did? didn’t he follow what his heart told him? isn’t he gentle, a good friend, a good subordinate? that must be who he is.

vegas craves attention, acknowledgement, and he thinks he never received it because he never accomplished anything. pete did, though. he won the fight, and yet his dad still hit him. it doesn’t matter how good he is or how much he contributes to his surroundings, he’s never actually seen. it doesn’t matter how much effort he puts, how much emotional labor he puts in his relationships, he’s still secondary to their choices, a supporting character. it’s not just vegas that was never recognized as a person, it’s pete too. 

it’s pete because he can disappear and people that he holds dear to him wouldn’t even notice until someone dreams about him. because he keeps being the wingman to others, but no one ever falls for him. he solves the problems for everyone, but not only that, his efforts always turn into more responsibility since he’s so reliable - never, i don’t know, a vacation i guess? his work has no emotional return to him, and while he’s loved by tankhun he’s still a subordinate and not a friend. it’s his boss, and he has no say in their relationship like the other does. “my most understanding bodyguard”. pete understands tankhun and shows his concern for him through how he takes care of the other, but tankhun loves pete exactly for that, and not for him. no one sees the true him.

he puts his heart in everything. yes, the honesty is there. and he does everything without expecting anything in return, because he knows that doing the right thing sometimes isn’t rewarding. that doesn’t mean he doesn’t crave recognition, it’s just that he doesn’t feel he’s ever going to receive the type of recognition he so desperately wants. and he can’t show this side to the others, because then he will be a burden and not fulfill the role he wants. he honestly wants to make everyone around him feel ok - and he’s fine with that, in some levels. he thinks helping others is rewarding because you can see the smile in their faces after it.

i’m sorry. i aim to spread more smiles than tears.”

he’s content. it’s enough to keep him going, to inspire him to keep making others around him happy, because if anything that’s the only thing he knows. he has to live each day by itself, because if he sees the big picture he’ll feel like a side character to his own life. but deep inside, even though he has come to terms with his father’s abuse, he can’t distance himself from the violence. it’s his whole environment, it’s how he learned relationships work, it’s thrilling - and makes him feel alive. after being successful in destroying vegas’ plan, he’s so high on his accomplishment that the torture is almost a recognition on how well he fucked up vegas, and he can take it with a smile in his face.

but after all the violence and the torture vegas puts him through, he still can’t turn his caring persona of, because he’s so used to finding patterns in people in order to make them smile that he easily cracks the code to what’s vegas’ problem is. it’s almost instinctive at this point to only comfort him, not because he actually feels for vegas but because he is simply like that. he opens up just enough for vegas to understand that he’s being seen, but not enough for vegas to see him. he says just the right things at the right time, never giving information about himself or opening up. his goal was never to have vegas obsessed with him, but just to live each passing day and try to handle it as best as it could.

but vegas gets obsessed with him - actually, the idea of him. vegas is so caught up with the idea that someone understood him and didn’t judge him harshly that he completely ignores that pete is not “someone” in the sense of an abstract concept in his mind, but a person entirely separate. he starts seeing pete as an extension of him, projecting his feelings and his desires into the other. but this obsession shows up in the form of little actions of care and attention (in vegas’ way, of course), in the sexual tension, and this desire is so intense that it moves pete’s heart.

because, for a second, pete wants to believe that all that intensity and emotion is for him. that vegas actually saw who he is and understands, and is desiring him. when vegas tells him he’s sexy, is he saying that because he sees pete’s body and thinks he’s attractive or because the sex they had and pete’s submission is sexy to him? vegas proceeds to only talks about him and his feelings, but he never asks pete how he feels. he opens up - “i thought i was a freak”, but it’s not followed by a “have you ever felt something like that, pete?”. vegas finally asks him “how did you survive in this environment?” and pete’s finally smiling, asking back “why, do you think i’m a good guy?”. he’s expecting vegas to give an actual insight on it. but vegas shows how little he understands pete telling him he’s “stupid” - pete is far from stupid and he knows. and it’s not just bickering, because pete realizes that vegas truly believes he has nothing going on inside his mind, that he’s just what vegas wants him to be.

after that, he slaps himself in the face to wake up - vegas isn’t seeing him as a person, he needs to leave. that life is not what he wants. but then why did he say yes to him? why did he kiss vegas? of course there was a previous build-up of desire between the both of them, but what was that made him give in? he has never been into subspace before and he’s still trying to understand himself and what he wants, but right now he’s completely sober. and he blames himself a lot for everything. but when vegas gets inside the room mad, he’s doing it again - he’s trying to help vegas.

vegas still doesn’t sees pete, only what he wants to see. so it’s easy for him to simply act up and vent all his violence on the other when pete shows again how understanding he is (and he switches his emotions as if he wasn’t, a few hours earlier, putting all the care in the world making a dish for him). vegas still believes in what he told pete in the last episode before they kiss, that pete likes that side of him and that it turns him on, so it never occurred to him that acting like that again could have any other effect. not only that, but the line about them sleeping (which was already making pete dwell on self hatred for what he did and what he desired) finally snaps pete, because not only he isn’t in the mindset to enjoy that type of violence, but also because he’s done - he understands everyone, even vegas, but no one ever tries to understand him.

vegas’ obsession isn’t seeing him, but just a toy that will behave how he wants and like him the way he wants. pete wants to be desired intensely, madly and deeply, but he knows this isn’t what’s actually going on. it’s all a lie he’s telling himself, because he had a hard time coming into terms that vegas’ liked what he provided for him - comfort - and not him. he’s once again secondary to someone else’s feelings, and it doesn’t matter what he wants and what he likes, what his pain is, he’s not seen. and now, being punished by something he didn’t do, unable to even comfort vegas with his words, he’s useless too.

pete’s so done that he asks for vegas to kill him, and vegas is so out of his mind that he goes on to grab a knife and actually threaten to do it. vegas isn’t thinking properly but he does think this is just pete’s usual bratty behavior, and in his mind is something that can easily be solved like every other instance between them where he plays abuser with pete and then leaves. but this time, pete’s finally honest about his feelings. he’s done with everything, and he’s done with vegas treating him like that. he feels like shit, and there’s no point on keeping with this if he will still be treated like that. he tells him, he’s lost his humanity. he’s not living as a person, but as something. in this case, vegas’ plaything.

after all that, vegas sees the huge mistake he’s making, and starts begging - and that touches pete’s heart again. because vegas is begging him so desperately to not kill himself, that he’s sorry and that he needs pete so much, that pete falters a little. he knows that vegas still isn’t truly seeing him (if anything, he’s just finding out about him) but the feeling of having him begging for pete to stay with that face creates a bitter taste in his mouth. he wants vegas to desire his true self like that, and not the character vegas created in his mind. and that reinforces pete’s desperation either dying or running and leaving.

“i’m a human, vegas. i have feelings.”

vegas insists on needing him, which pete finally throws in vegas’ face that is not him that he needs but a mirror. he keeps projecting onto him, and never asking what pete needs, treating him like a pet. and pete shows him - if he actually needs him as a person, why the chains? why aren’t his needs being met too? and vegas begs him to promise he won’t leave him. the fact is, pete can’t lie to vegas at this point, because he’s opened his heart so much he can’t pretend anymore he would do something like that. and he touches vegas’ face, because deep down he’s still conflicted with all those feelings, but he finally chooses to put himself first and knocks vegas out.

and while they’re apart, vegas never leaves his mind. even though he’s loved by everyone and everyone is grateful he’s back, there’s still a lingering feeling that he only ever felt being with him, and he misses it so much. because now that he had the taste for the obsession, for being almost consumed by someone else that wants them so badly, how can he go back to his normal and mundane relationships? he’s numb, both traumatized by what happened and dwelling in guilt because even though everything was so terrible he wants a little bit of it back. and he feels the shame of the intoxication he feel, unable to open up to anyone about that. him lying and denying to tell porsche is not only because he wants to protect vegas, but because he wants to protect himself from acknowledging that he doesn’t despise him as much as he wanted to, as he should do.

“get the hell out of my life.”

pete screams, but he’s unable to shoot the gun and end it all. when vegas takes the gun to his chest and screams, pete has an automatic reaction of fear that doesn’t go unnoticed by him, but he keeps pushing to try and make his point. but pete can’t say anything, just cry the tears he has been holding all throughout the episode since he left vegas’ house. and again, he is only truly honest in that moment where he lets himself fall to the ground from how painful everything is, and vegas is comforting him. the worst, for him, is that he’s allowing once again vegas in his space, touching him intimately and taking care of him. and his hand goes trembling to the other’s face, unsure if it’s the right thing to do or not, because he’s pained by everything that went down and all the abuse - but also a little bit glad that vegas is still so obsessed with him that he’d follow him there. he’s conflicted because he can’t reconcile the idea that he wants vegas and, maybe, vegas wants him too, because it’s never the case. just like he said, he’s useless, has never existed, has no feelings, no humanity. there’s no point in hoping that vegas would do that to him. but he wants to believe in him so much that he can’t stop crying.

1 2 3 4 5
Tumblr theme by Romans Bermans